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Music DJ Talk at Chicago Artists Resource
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Music Curation: Sharing in the Digital Age
Tuesday, April 15 6:30–8:30 p.m.
Free and open to public. Must be over 21 years old to attend.
Chicago Artists Coalition, 217 N. Carpenter, Chicago, IL 60607
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Join us at Chicago Artists Coalition as CAR Music Researcher J. Johari Palacio moderates an informal discussion with Chicago music curators Joe Bryl, Duane Powell and Scott McNiece.
Topics include the Internet's role in sourcing music; analog versus
digital; bloggers and music journalism; the DJ technique; making money
and sharing music.
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Joe Bryl, Music Director, Maria's Packaged Goods & Nico Osteria
Previously a co-owner and musical director of famed nightclub Sonotheque, Joe Bryl
has focused on eclectic, underground sounds for the past 20 years. Bryl
was a partner in HotHouse, bringing Chicagoans a wide range of
left-field dance music from rare groove, Latin, funk, Brazilian,
steppers, African, acid jazz and neo-soul.
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Duane Powell, DJ, Promoter and Tastemaker
From soul music and house to acid jazz and neo-soul, Duane Powell has
proved himself an eclectic DJ. In 12 years at Dr Wax Records, he broke
Ledisi, Eric Roberson, Julie Dexter & Jill Scott. He launched
SOUNDROTATION. Powell has also spun at House Of Blues, The Funky Buddha
Lounge, Park 52 and Reggie's Music Club.
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Scott McNiece, Founder, Uncanned Music
Scott McNiece is an active participant in music and dining scenes. A
seasoned drummer, McNiece subsidized his lifestyle with various
restaurant jobs. After two years as music curator for Hogsalt
Hospitality (Gilt Bar, Maude’s Liquor Bar, Au Cheval), he launched
Uncanned Music LLC in 2012.
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Last Chance: Submit Your Song
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Call for Video Bumper Music
CAR is looking for high-quality, 30-second recordings of original
composition to be used in CAR videos. The artist of the selected track
will be paid a $500 honorarium to develop the song.
All submissions will be considered for future features on Chicago Artists Resource.
The winning track will be announced at the Music Curation talk (above) on Tuesday, April 15, 2014.
Deadline: March 24, 2014, 5 p.m.
Uploads should have the proper metadata with name of composer, electronic contact information and date recorded. No samples unless already cleared.
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