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Tuesday, December 04, 2018
LACDA >> Deadline extended!! | "Snap to Grid" | Every submission shown (Los Angeles, CA.)
Show your work in
our un-juried exhibit featuring digital art and photography at this
very popular show. All entries will be printed (8.5"x11" on heavyweight
paper) and shown in our gallery arranged in a grid. Entrants submit JPEG
files of original work. Multiple entries are permitted. Separate
registration fee required for each image.
styles of artwork and photography where digital processes of any kind
were integral to the creation of the images are acceptable. Digital
video stills and screen shots of web/new media are acceptable.
Documentation shots of digital installation and digital sculpture are
consideration is given to "Snap to Grid" artists for inclusion in
future exhibits. Entrants to our calls for submissions form the pool of
artists from which we select the majority of our exhibitors. There have
been a large number of "Snap to Grid" participants who have been
included in group exhibits, as well as a number of solo shows. Proceeds
for "Snap to Grid" benefit these gallery programs and keep LACDA
thriving. Exhibit your work, build your resume, and support LACDA.
Location: International, open to all geographical locations.
Entry Fee: Registration fee is $35US.
Rules: Registration and submission are done online only. JPEG file
uploads are the only accepted submissions under 5MB each. Please do not
send materials to LACDA. All materials sent to LACDA will not be viewed
and cannot be returned.
entries are permitted. $35 registration fee for each additional image.
Separate registration fee required for each image.
year for over 50 years the L.A. Municipal Gallery has held its "Open
Call" exhibit where any artist can show up with their art and an entry
fee (to benefit gallery programs) and the piece is shown. The Los
Angeles Center For Digital Art decided to launch an international
experiment of the same nature where the artists upload images that are
printed and hung by the gallery. The hundreds of works are displayed in a
grid like installation (reminiscent of postcard art shows of the
1980's) where every work submitted is exhibited.
usual (less than democratic) selection process where only the precious
few are chosen is turned on its head in a curatorial anarchy where
everyone gets to participate and the viewer is literally left to be the
judge. The show represents a snapshot of a current moment in art history
when digital imaging has reached the hands of the many, an age where
"smart culture" belongs to an all pervasive social media. From Thailand
to Texas, amateur to academic, beautiful to banal and beyond the
monumental quantity and variety of "Snap to Grid" becomes an aesthetic
experience where each individual piece adds to an agglomerative effect
that has a life of its own.