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Monday, December 03, 2018
Enter the Paris Photo Prize before December 15 and get 10% off.
Submit to the side context "State of the World".
Px3 2019 / CALL FOR ENTRIES
The 2019 edition of the Paris Photo Prize is open!
SUBMIT NOW AND ENJOY THE 10% EARLY BIRD DISCOUNT UNTIL THE 15TH OF DECEMBER 2018
Featuring the 2018 winners of the Paris Photo Prize as well as the selected work of the curated exhibition “The State of the World”, the Annual PX3 Book No. 12 (2018) + "State of the World" is a fantastic directory of the best of photography and powerful stories from around the world.
“The State of the World” is a new contest of Paris Photo Prize, dedicated to global stories worth telling because they are eyewitness accounts as told through the lens of the photographer; stories that are inspiring and shocking, gentle and brutal; stories to focus your eyes and mind on issues that are current and crucial in our world today.
This special contest is open until the 28th of February, 2019.
Show us the world with your photography
Heroes among us
What a wonderful world
Head of Jury
Steve McCurry is the head Jury of “The State of the World’, looking for powerful stories to share and selecting the Grand Winner among the six category winners.
He has been one of the most iconic voices in contemporary photography for more than thirty years, with scores of magazine and book covers, over a dozen books, and countless exhibitions around the world to his name.
Steve McCurry founded ImagineAsia in 2004. The mission of IA, a 501 (c)3 non-profit organization, is to work in partnership with local community leaders and regional NGO’S to help provide educational resources and opportunities to children and young adults in Afghanistan.
Photo Credits (from top-left): Maciej Nowacki, Ami Vitale, Rasmus Flindt Pedersen, André Clemetsen, Neil Aldridge, Georgina Goodwin.
PX3 Winner 2018 – Photographer of the Year for Generation Wealth.
"Photography is always up and down. You get an assignment and you think your life will change, but working as a photographer is always a struggle — both in terms of the creative challenges and in needing to constantly gain trust, earn access, do your best work (you are only as good as your last assignment), and earn a living. But thriving came from constantly pushing myself to try new things and work in new ways, whether it was fashion, advertising, documentary film, directing commercials. Not depending on one area to earn a living or be creatively inspired allows the work to remain fresh and productive."